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This remarkable music video features an exceptionally talented young female dancer named Maddie Ziegler. Her stellar performance is both hypnotic and mesmerizing. (We love escalating dance performances in music videos — we did a whole thing on it.) The song itself conveys Sia’s struggles with alcohol and drug addiction, and Ziegler’s wild dancing is a striking visual depiction of that mixed with the guilt and pain that follows. She violently jumps and throws herself around the empty room with constantly changing expressions of anger, pain, confusion, excitement, and sadness. The room itself is empty and represents a mind that is distressed and sadly neglected.

Over our C minor chord, we get a triplet figure of all B♭s, making the chord a C minor 7. This is followed by the use of a passing tone (Ab) to get from the 7th to the 5th. Finally, over the B♭, we have an F (the fifth of the chord), moving to a G (the 13th, another tension).

“Without Me”: To start, we have an arpeggiated riff making some jazzy tetrads: E♭m to G♭add9 and D♭ to A♭m7, and then watch out at the end of the bridge when they sneak in a C♭m. The first two choruses extend from eight to twelve bars by repeating their second halves, which I think creates a kind of pang of abandonment at the end of the song when the repetition doesn’t come back. Another thing about these choruses is how their stanzas all begin and end in the middle of the bars. Most lyrics begin and end near the bar line, so when we hear lyrics phrased all off-center like this, we can’t tell whether we’re being rushed or being left behind. Do I smell a songwriter’s homework assignment?

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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

Before you think about production or even buy a microphone, you must first create a plan for your episode structure. Will you have an intro and outro? Is there music? How are you licensing that music? Will there be segments or is it one long interview or monologue?

One look at Stereofox and it’s a streaming dream. The front page immediately presents you a bunch of streaming options, making it easy for you to select your mood and have the site curate tracks for you to discover immediately. It’s the least amount of work for the most amount of gain.

As a new songwriter, the many varieties of songform might come naturally to you, or it might be a goal that you’re shooting to improve on. But luckily, while there are a ton of models out there for how songs are made to function, there are no hard and fast rules — which means you’re free to learn what tools you need, and then bend them to suit your songwriting practice.

The right kick drum sound can make or break the energy of your song, and the way the rest of the instruments stand up in mixing. Here’s how to choose it.

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Following some standard doubling of the main guitar riff during the song’s introductory chorus, Jameson erupts with some root-octave slapping in the verse. He follows this with a couple high pops up on the neck and a slide down to the relative minor. The pulsation of F# with the fifth below it and alternating with the A just above it generates a funkier feel than you’d ever expect from a hard rock song with a simple three-note guitar hook. The sequence is repeated several times in the verse and, in spite of all the other cool riffs in this song, leaves you wanting to hear more.

Planning to take your creative or compositional practice out of the house sometime soon? These gorgeous residency locations will have your jaw on the floor.

What I like about GrungeCake (besides their name) is their motto: “A collection of empirical stories and honest reviews, targeting emerging and popular commodities.” This site is filled with ways to highlight the arts in every manner, and they do this through reviews, features, news, and streams — anything to tell the stories of the artists who frequent their pages.

It was at that point the bankers usually went pale and stared at me like I had three heads. I’m exaggerating, but only a little. They asked about job security, something they all uniformly seemed very grave about. I told them I had been doing this for nigh on two decades and didn’t plan on firing myself anytime soon.

“Killshot”: Dang, so this song broke YouTube’s record for most plays in its first 24 hours with 38.1 million views. Do not mess with Slim Shady. Or, I mean, do. Because “we need a little controversy, and it feels so emp-ty without.” Hey, speaking of controversy, I’m making the call for a rare 2/4 meter here — reason being that if you think of it in 4/4 (at 53 BPM) and cut the measure in half, the measures are the same (at least to start, although there are places where this isn’t true). The loop motifs all sound to me like they’re only two beats, phrase-wise. Form-wise, it’s just one rimfire cartridge, one gunpowder-filled 120-ish-bar capital V Verse. Pow.