His yodeling obsession was accompanied by a love of obscure stringed instruments like the zither and hammered dulcimer, both of which he taught himself as a child. In his teens, Ischi taught himself to yodel by listening to Franzl Lang records and imitating what he heard. In case you aren’t familiar, Lang is one of yodeling’s most revered figures and is widely known as the “Yodel King.”
Carla Malrowe is a singer, composer, keyboardist, writer, and music industry marketer from Johannesburg, South Africa. She is the co-founding vocalist, keyboardist and contributing songwriter for industrial goth-rock band Me’ek. As copywriter and content marketer, she develops marketing strategies for various music events companies to the purpose of growing the South African alternative music scene. Marlowe is excited to announce that she is currently working on the debut EP of her new electronic project “Shiver Kiss.”
This is an exciting music video that takes full advantage of high-intensity performance footage and a gripping narrative. The members of Bullet for My Valentine are soaked by rain throughout the performance, which is both perfectly fitting for the song title as well as an ode to the twist in the storyline towards the end of the video. After discovering her partner cheating, the girl violently pours a can of gasoline all over the man, the other girl, and herself, before dropping the lighter to reveal that it’s in fact water — a cruel joke in retribution.
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Soundfly’s six-week beginner harmony course, Unlocking the Emotional Power of Chords, will show you how to craft compelling chord progressions in your music. We’ll analyze the chords used in music from across the contemporary landscape, and equip you to use them in your own productions and compositions. You’ll be challenged to write your own mood-setting music by creating tracks for topliners, TV ads, film trailers, and more, and get personalized weekly feedback on your work from an expert mentor. By the end of this course, you’ll be able to harness more interesting chord progressions to provoke powerful emotional reactions in your listeners.
At Soundfly, we care deeply about creating the most effective learning experience we can. For the past few years, we’ve been developing this mentorship alternative to the mentored-course model of our online courses with that exact goal in mind — building off research others have done around how people learn and what we’ve seen through our own experiments and experiences. But the question you may be wondering is: “Why?”
Go find that hard drive, finish up your beats, and put them out! Try using a service like LANDR to master tracks at scale, and check out FreshTunes for free music distribution.
“I Want It That Way” was the epitome of boy-band ballads, the high-water mark of a guilty-pleasure genre that everyone, eventually, grows out of. The amount of times I’ve seen gaggles of people singing this at karaoke is astounding. Every word’s been ingrained in my head. Today, our teenagers listen and do their best to sing along to a Korean pop boy-band, which kind of begs a lot of questions about whether we really need to grow out of anything? Let alone understand it…
“Fat Lip” is an example of what used to be a mainstream genre: pop/punk. It is, unfortunately, no longer mainstream. I freakin’ loved Sum 41. I had a huge crush on their bass player. Anyway, there’s not much in here now that gives me the same angry catharsis.
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“Bad at Love”: Just like the song Halsey sang last year with the Chainsmokers, “Closer,” this song defies a concrete tonal center, camping on what I first heard as the IV and V chords, with just a flirtation to the I chord at the end of the loop. It’s subjective as to how anyone’s ear is going to hear this tonally, at least at first. It’s like that famous “Rabbit-Duck” illusion where some people see a rabbit and others see a duck.
In my video example above, my variations were as follows: First, I removed the hi-hat entirely (variation 1), then I added a kick and snare hit (variation 2), and finally I added kick and snare hits while removing snippets of the hi-hat pattern (variation 3). All of which is in addition to an already interesting yet repetitive beat sequence.
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Some songwriters say they have received amounts equal to a ten-year advance on royalties. The money has been used to take their career in a new direction, buy new equipment or fund a tour or music video. However, not everyone may have a roster of songs that will sell for enough money to pay the electric bill. Keep in mind that once you sell your rights to your intellectual property, you waive your right to collect any future royalties it may generate.
The body art style is itself distinctive, and helps to convey the melancholic yet hopeful vibe of the song. This reflects on Gotye’s authentic lyricism as he is stripped away of his clothes, but it also makes a slightly less playful reference to the style of Peter Gabriel’s video for “Sledgehammer.”