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And yes, it’s a masterwork. This isn’t just Japanese new-age hindsight fetishism at play here. Takada’s brilliant suite for marimbas and synthesizer brings Asian timbres and African polyrhythms in perfect contact with the minimalist language of composers like Steve Reich, Terry Riley, and Brian Eno. The fact that this record never made it out of Japan was a cultural crime that needed to be rectified.

Described by Time Out New York as “Brooklyn’s post-millennial Mozart” and The New Times as “one of the more consistently inventive, surprising composers now working in New York,” Missy Mazzoli has obviously earned an indisputable place on this list. She’s been creating innovative, daring, and also stunningly gorgeous music for almost 30 years. A composer and pianist, Mazzoli not only writes ground-breaking operas, orchestral works, and chamber music, but is the founder and keyboardist for the all-female band Victoire. Selflessly spreading her knowledge and original musical insight, Mazzoli is now a member of the Composition faculty at Mannes School of Music at The New School.

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If you have some additional tips or would like to be kept accountable by sharing your musical resolutions with the world, feel free to comment on this article. Good luck and happy new year!

Instructed by composer and producer Martin D. Fowler (This American Life, Limetown, etc.), this course is an all-encompassing boot camp in one of the most widely used and most multi-functional DAWs out there: Logic Pro X. It’s used by pro-level producers, songwriters, engineers, and composers of all types to achieve the sound they’re searching for. Logic is also extremely affordable as far as DAWs go, making it perfect for the home-recording musician.

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