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Since many styles of electronic music don’t include lyrics, it lends itself well to the endless development of an idea. Andrew Bayer’s “Counting the Points” is a beautiful example of this sort of repeated development of a theme or idea.

So you want to show off your brand new song to a record label or potential manager, or to book a string of upcoming gigs, or even your friends and family, but there isn’t a producer in sight who could do it on short notice and for less than a few grand. Well, the good thing is that this situation is exactly what Logic Pro is made for.

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Program fees: Dinner is provided Monday through Friday by the on-site chef but all other meals (weekday and weekend) are the responsibility of the resident. The cost to apply is $45.

“Don’t Cry”: Holy loop choppidies! Watch out in the middle of the verses at 0:46 and 1:37, where they slice out just a sliver of the track — you hardly notice it. Then, marvel as they start the bridge (at 1:53) with a bolder half-beat chop-out. And then at 2:10, just in case you were getting used to these chops, they trip you up by adding half a beat instead!

It seems we can always turn to a popular old melody for some familiar sing-along action. The lyrics of this tune have a bit of an icky past, harking back to the American Civil War, but like most public domain songs to stand the test of time, the simplistic melody often reminds us of childhood. In “Shoo Fly, Don’t Bother Me” you’ll find the major third at 0:04, on the lyrics “Shoo” and “fly.”

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“But Carter, you said E♭ major and C minor share a key signature and there is definitely a C minor chord in this song. Isn’t this song then in C minor?”

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Frances Katz began her career writing about MTV and Napster. Now she writes about technology, music, business, and culture for a variety of publications including The Week, The Atlantic, Paste, The New York Times, Ploughshares, and others. She lives in Atlanta, but you can keep up with her on Twitter.

When Shimkovitz launched Awesome Tapes as a record label in 2011, he started tracking down Ata Kak, but after years of searching he kept coming up empty. After four years though, he finally tracked down the man behind the mysteriously amazing music, Yaw Atta-Owusu. Yaw Atta-Owusu has been touring live ever since being discovered and is finally getting the international recognition he deserves.

Speaking of Timberlake, I didn’t watch the Super Bowl in 2004, but I remember kids at school telling me about it later. If you don’t know the story already, I’m here to fill you in.

I’m happy you think it sounds varied! Of course, I’ve been freaking out for awhile about the exact opposite; when I listen I of course hear a lot of similar patterns, progressions and melodies, which worries me a bit. Ultimately, I try to maintain a sort of “been there, done that” mentality to writing new music, meaning that if I find myself venturing into too-familiar territory I look for ways to steer myself towards a new direction.