Although this list is technically geared towards kids… adults, do not be shy about confessing your love of these books! I’m actually prepping my Amazon cart with a few of these myself. And, more importantly, for those DIY touring musicians out there — not that we know how popular these books are — why not consider making one of these books yourself for your merch table? (Just a thought…)
For most of the music I play, power chords usually do the trick. I make use of them almost exclusively when writing rhythm parts or exploring chord progression ideas because they’re simple, communicative, and easy to arrange around. Sometimes, though, you’ll want something that sounds a bit fuller and more epic.
If you waited around for inspiration to strike you, you’d have to watch each pitch opportunity, co-write, and artist session pass you by in the dark until that light bulb in your head finally turns on. That’s not a very effective way to make a living off of your craft, is it?
Marching band grants
Also, as our♭II chord types were technically diatonic (aka “regular”) to the Phrygian mode, our non-borrowed-or-secondary weirdo-chords this year were the viis (when it was once a ii/V/♭VI and once diatonic to Lydian) and also a I+ (augmented).
The Dorian mode is spelled: 1 2 ♭3 4 5 6 ♭7; or, in steps: whole, half, whole, whole, whole, half, whole. It’s frequently employed by jazz, soul, and rock soloists, and can be found in the “jam sections” of tons of classic rock and jazz tunes from players like Carlos Santana and David Gilmour (as well as jazz improvisers like Miles Davis).
Roland developed the RE-201 in the early 1970s, and while this wasn’t the first tape echo, they made something much more durable and sonically satisfying than anything that had come before it. Starting in the 1950s, musicians started to use small devices that included a recorder and a single tape loop capable of simultaneously recording and playing sound. This would create a delay effect.
For chip enthusiasts, Lewis’ campaign offers a great way to get involved and support a community that’s so dependent on DIY, grassroots support. Every one of his rewards (including Game Boys!) is affordable, making this campaign easily shareable and not easy to resist.
I often use the live remote broadcasting server ipDTL. This service costs as little as $160 a year and allows me to record on their server, giving me the option to record someone wherever they are. I strongly recommend, however, you take the audio output of your computer (your remote guest’s audio feed) and record it into the software you use, protecting you from any potential data loss if the internet goes down.
National endowment for the arts funding
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Surprisingly, even medicines can affect your hydration levels. Cold and allergy medication, including decongestants and antihistamines, can have a drying effect on the body. When your mucus membranes dry out, your ability to sound good when you sing is hindered and your vocal folds are also more likely to be further irritated.
That’s a tough question! I don’t think that artists necessarily need to be more entrepreneurial. But it is a question of perspective. Some artists make their art for the love of it before thinking about how they are going to sell it. But a work of art is work and all work deserves to be rewarded! I want to help artists who would like to sell their music but just don’t know how to it or who can’t even conceive of the process.
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
When pitching to venues, being completely honest about what you can deliver is essential for building trust and solid relationships for years to come. A promoter might ask: “What’s your draw for Kansas City?” If it’s 25, say 25, even if that means you won’t get booked. If it’s zero, say zero, but say you’re willing to boost Facebook ads in the area and send a bunch of press releases out.