I’ve always been a vinyl lover. The entire time I spent digging through crates or discovering new music through online channels, I kept thinking the same things:
Solution: Look for shows that match your vibe and set list. If you only have twenty minutes of music, it’s probably not time to headline, but you can definitely take part in a showcase! If there isn’t one available, create your own or hit up some open mics! If you feel you’re totally ready to go, tighten up your online presence and start reaching out to venues and promoters. If you’re new to gigging, have a support team around to keep you from panicking over broken guitar strings, and to evaluate shows and help you strengthen your skills as a performer.
Firstly, the consensus among considerable and devoted fans of the group is that the Roland SH-101, Yamaha AN1x, and the Akai S1000 are the most likely hardware cornerstones of the pair’s sound. Beyond reliance on these units to generate sound, the recording platforms are also key.
National education association learning and leadership grants
This can all be accomplished on a relatively low budget, taking advantage of just a handful of actors and props, and a mixture of free shooting locations.
Dre DiMura is a professional guitarist, songwriter, and author. While his friends were studying for the SATs, Dre was already touring the world with Gloria Gaynor, Dee Snider, Palaye Royale and Evol Walks. He’s a musician and he’s played one on TV too. You may see him at your local enormo-dome on tour with Diamanté.
What makes the djembe stand out is a) its uniquely wide range of tones and timbres, and b) its lore. That’s right — djembes are steeped in lore and tradition. Djembe players are even given a special name, called a djembefola, while a solo is called a djembekan. Nobody is quite certain where the name djembe came from, but the instrument is thought to be between 400 and 800 years old and the Bamana people of Mali hold that its name comes from their saying, “Anke dje, anke be” — which translates to “everyone gather together in peace”.
A narrative also plays a huge factor in the press you get as a musician. Blogs, magazines, and freelance writers/interviewers are all in the business of sharing stories. Sure, they’ll review your music, but what they really need for a successful article is some kind of hook. And if you can approach them with a well-crafted and interesting story all ready to go, you’re going to stand out from all the other artists who approach them with pleas to cover their new music.
Old clothes, accessories, furniture, and junk can be fascinatingly different from city to city. Scouring the local Goodwills or thrift shops is super entertaining, affordable, and fun. Plus it’s a great way to add to your show wardrobe.
National endowment for the arts grant recipients
While it’s unclear where this love came from, it’s undeniable that Ischi’s love of chickens runs deep and has contributed to his late-in-life viral fame. As you heard in the video above, his skill at clucking rivals his skill at yodeling. In 2011, he released “New Bibi Hendl,” his hit about catching a chicken in the Alps, and it has gone on to be viewed tens of millions of times across multiple uploads on YouTube. From there, he really leaned into the role of “Chicken Yodeler.”
And now to debunk one of the most common misconceptions about drinking water. Did you know that it can take up to four hours for the water you’ve consumed to actually reach your vocal folds?!
That’s not to say that your writing will automatically sound better overnight as a result of opening a book by one of the greats, but so much of songwriting is about “borrowing.” Whether that’s taking a direct phrase and setting it to a new context, or borrowing some syntax and ideas to open up new pathways for approaching a song, having an influential reference provides a great place to start.
Sometimes the solution is obvious. Maybe the student has a clear goal in mind, and they just don’t know how to get there. Maybe they wanted to make a bumping club track, and the beats are weak — beginner producers usually don’t know how to layer or mix drums. A lot of the time, there are some good ideas but they’re strung together without any particular structure. That’s understandable; structure is hard! Or maybe there was a misguided attempt at “realism.” Every semester, someone takes a piece they composed or arranged and outputs audio straight from their notation software. The result consistently sounds like garbage. I want them to think of the sound coming out of the speakers as the “real” music, not a placeholder for an eventual performance by humans — nothing against live performance, but my class is about making music in the box. Rather than settling for terrible fake strings or brass, we try to figure out what software instruments might sound unapologetically cool.
One look at Stereofox and it’s a streaming dream. The front page immediately presents you a bunch of streaming options, making it easy for you to select your mood and have the site curate tracks for you to discover immediately. It’s the least amount of work for the most amount of gain.