Yoshino composes and arranges pop-influenced originals, interspersed with her own arrangements of jazz standards. A classically trained pianist, her arrangements move in ecstatic fits and starts, holding the room with brief moments of tension before bursting into glorious runs on piano, bass, and saxophone.
Due to the way that YouTube’s algorithms have recently started moving users around based on several years worth of tracking their preferences, recommending content that is not always the obvious next step (because if you simply want the next track on an artist’s album, you’re probably already on Spotify), and then leveraging “discovery results” that are considered successful, thousands upon thousands of listeners streaming long-playing ambient music and sounds have been led directly to user Jackamo Brown‘s upload of Through the Looking Glass. The record had found its audience.
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Modern Mix Techniques course directly from our students.
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It’s the melodic hook of the song and the real star of this show. At the same time, it follows standard rules for writing a good melody — it has a balance of stepwise motion and leaps, and stays within a comfortable singing range (in this case, less than two octaves). Great bass lines should be singable!
So, now that you’re equipped with some of the tools and knowledge of the most common forms of song structure, keep in mind yet again that there are no rules to songwriting! There are only basic ideas and pieces of advice that you can borrow from as you sit down and create something that’s meaningful to you! It’s helpful to have these weapons in your arsenal. When it comes down to it, the best thing you can do as a new songwriter experimenting with song structure is to try and write with all kinds of structures and figure out what works best for you.
Here are seven of the most common mistakes I see young producers make when adding reverb into their mixes, and how to prevent yourself from making them.
It’s time to say no. Not only have audiophile tech innovations like Pono and Tidal been hilarious failures, they are priced out of reach of the average music consumer and self-consciously pitched towards those with disposable income. In contrast, low-bitrate MP3 is the Occupy to vinyl’s Wall Street. No matter how crappy your internet connection is, how basic your device is, or how little money you can spend, anyone can pirate low-quality, lightweight audio files or rip them off YouTube. Now, what a beautiful thing that is.
We love her campaign title. “Be the Producer” invites her fans and friends to join the process directly and make an impact on her project with their contributions.
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Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.
Ticket giveaways are a powerful way to get people out to your show. You can hand out physical tickets near the venue or contact local radio stations, podcasts, blogs, local stores, etc. to see if they’d be into giving away tickets to your event, for example, as part of a contest. If nothing else, you’ll create buzz around the event.
There are a ton of pitch corrector plugins out there to make sure you’re fully in tune and sounding great — and no, you don’t need to go full Auto-Tune. If you’re a bit of a perfectionist though, you may want to hand tune them yourself. Head into the Audio Editor to find an option called Flex. From there, you’ll be able to tune any of your vocals by dragging them up or down to the correct note or fine pitch, or even flatten out the vibrato.
“Nice For What”: Okay, what the heck kind of tonal Rubik’s Cube is this? So after a noncommittal B♭m and Cm chord in the intro, we get a main loop with three chords in dizzy order: D♭ E♭ Fm, with the singers using the traditional do-re-mi notes of an A♭ major scale. And at first I heard it in a Lydian tonality because whenever it got to the D♭ chord, it just felt like the home chord to my ear. But when I started to break it down on paper, I realized that the basic loop was: E♭ D♭M7 D♭ Fm E♭ Fm D♭ Fm, and wait: don’t tonic chords usually begin or end loops most of the time? I mean, am I right?
Ischi’s website welcomes visitors with a video clip of him and the chickens as soon as you enter. He also has a new song out called “The Chicken and the Egg,” but it doesn’t seem to be streamable online — although you can hear a 30-second excerpt here.