Get into the writing room with confidence and excitement next time you’re working with a total stranger on a co-writing song project with these 7 tips.
This technique is most widely used as an alternative to the “speeding buildup” technique. Here, the buildup section is supported with a marching snare-type instrument, serving the purpose of increasing the energy right before the chorus or the drop.
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As you near the end of your mixing work, keep mastering in mind and start considering what mastering can and cannot do to help finish the sound. Remember that mastering is only the work done on the combined stereo (or multi-channel surround) audio file. So if you want a particular voice turned down or keyboard turned up, for example, this should be done in the mix where you have access to these tracks independently.
Another approach that works for some players is to use the C major scale on those two strings (6th and 5th) to map out the other notes as referential to them. If your aptitude for memorization is quite high, this would be quicker.
This technique is so common in dance tracks that it’s almost a cliché that cannot be avoided. If you frequent raves, dance clubs, or electronic music festivals, you’re probably used to hearing claps, snares, toms, or kicks that start with quarter note hits, then speed up to eighth notes, and then finally reach for sixteenth and thirty-second notes as you get closer to the drop.
Improve your composition, arranging, and writing with this collection of Soundfly articles full of tips and resources on music composition. For more help, check out Soundfly’s course, Introduction to the Composer’s Craft.
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One way to optimize the time you spend on your work is to organize your day around specific micro-goals, as opposed to a single larger one like a “mix album.” With each micro-goal, you can set a time limits of 30-minute blocks or several hours depending to make sure you’re keeping yourself on track.
Say what you want about rap metal, Rage Against the Machine brought it. They brought their supreme rhythmic tightness and their politically leaning message, which is more pertinent now than ever. In the mid-’90s, they were blowing up, and they were asked to play SNL. (I can only guess that after this incident, whoever asked them to play was fired.)
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
A narrative takes it further, beyond the facts into something that pulls fans on a more emotional level. It’s how you got to where you are, the struggles you’ve faced, how you’ve overcome those struggles, and where you’re going.
Funnily enough, the biggest breakthrough came with our approach. We are dealing with music here, not 1s and 0s, so we made the early decision to not trust the data. We engineered the user experience and worked our way back to the data. When we were faced with a problem, we looked at music theory and DJing to solve the user experience rather than rely on what the data was telling us.