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When you compose, do you gravitate toward certain instruments? And how much of the composition is being orchestrated in your inner ear and how much of it are you playing while you write?

Another approach that works for some players is to use the C major scale on those two strings (6th and 5th) to map out the other notes as referential to them. If your aptitude for memorization is quite high, this would be quicker.

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The most significant similarities are the chord progressions and the instrumentation, neither of which is protectable under copyright law. While Sheeran may have been inspired by Gaye, these similarities are insignificant, and these cases should be thrown out — a perspective echoed by experts in the field.

+ Learn more on Soundfly: Preview our popular mentored online course, Unlocking the Emotional Power of Chords, for free to learn how to create more vibrant, compelling harmonic progressions in your music today!

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Terrestrial radio can be a powerful medium for promoting your new release. Here are four steps to using your efforts wisely and achieving great air time!

It also had bass and treble controls that provided an EQ for the effect. You could also take inputs from multiple sources (mic, instrument) and a mixer, all easily accessible from the front panel. Roland had the foresight to design something that was meant to be played and interacted with. They didn’t just see this as a tape delay with a wet/dry knob, they saw the potential this had to help creative people articulate the music they heard in their head.

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One of the keys to obtaining this sound is fluctuation. Drive your synth sound through a piece of hardware or a plugin until you can hear the warmth and compression. Then place a regular old EQ on your chain, high-passing at 120Hz and low-passing around 6kHz. This will give you that blunted, warm sound. Then, in whatever soft synth you’re using, start firing up your LFOs (low frequency oscillators). Set them to a moderate speed and depth (nothing crazy, we’re going for chill vibes) and start routing them to various settings.

Unsuk Chin is a South Korean composer now living and working in Berlin. Like her mentor Gyorgy Ligeti, Chin’s incredible technical prowess gives her unique control and precision over her craft. Known for pushing boundaries in October 2017, Chin won the illustrious Wihuri Sibelius Prize, which includes a grant of €150,000, adding her name to a list of composers and former winners that includes Ligeti himself, Stravinsky, Britten, Messiaen, and of course Jean Sibelius. With a seriously impressive portfolio of opera, orchestral, chamber, vocal, solo, and even electronic/electroacoustic work, Chin’s sound world is increasingly broad, challenging, and beautiful.

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